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And when it comes to “work”, when success hits, the scumbags of this industry move in like a pack of fucking wolves, ready to eat every last ounce of flesh, only to figure out how they crunch the bones up when they are done, because after all… So after Ryan and I’s first conversation about my appearance at “Univ-Con”, I tried to attend the is conference, only to get the “nix” from Amblin at the last second, as my contract was extremely tight, in which I couldn’t do a thing without their permission.

But since they were paying me to sit still, I was “ok” with that in the beginning.

I met with Ryan again and said, “It’s time you get some representation. Part of that was because they never had to, as in the early seasons, the only contracts that were ever served, was to Chip, myself and Ryan. was a part of that brand, and they knew if they had Ryan, they had the cast. By the time Season 4 rolled around, we got wiser with our moves and began using the same tricks against A&E. We shouldn’t have even got this far pushing these people around. we bring those guns to the fight.” Once you are done filming, the protocol for that specific episode when it comes to editing, is that the director (me) and lead executive producer (Ryan) would have the guiding hand in the the editorial process. We were up talking for a long time that night about what we had accomplished and what was next.

With no contracts in play for anyone else, they had no legal obligations to pay the cast anything, which again, is about as messed up as it gets, since they were selling their face and likeness to the world for millions. I didn’t have to tell Ryan that time was on our side. Since we knew we they were listening to our conversations, we made up all kinds of shit to scare them. The ONLY people we could be overridden by are the EP’s that are owners of PARANORMAL STATE (which there were two) and the A&E Network, who might as well be GOD in this situation, because with a swipe of a hand, they can make any call they want, and that call will be enforced. After hours of hanging out, we decided we were going to bounce to Times Square to see what was up.

Now this Chad own words on eveything: 2.) Ryan’s “sickness” is completely UNRELATED to mine. I will absolutely come back stronger than I ever have in my life. Come spend five minutes with me and take a look into my eyes, and you tell me what the monster’s glare has to say.

But I never put a SINGLE negative post out there against Ryan. The first time we spoke was after he had watched TERROR NORMAL, which was a documentary I made eight years ago, in which myself and my skeptical friends went to Waverly Hills and locked ourselves in that nightmare of a building for eight days.

We also filmed 12 hours a day, which meant they secondary cast members were making less than per hour.While Ryan was making more, for a lead of a successful show… And he didn’t get one because he had a “motherly” relationship with the Executive Producer that serviced him the contract that I would later read…it wasn’t even in the BALLPARK of what he should have been making. which in my opinion, was the single worst contract I have ever seen in my 15 years in the entertainment business.At that time, I was having my own battles with my show, which had nothing to do with me personally, but none the less, after working for a year on a truly futuristic ghost hunting show, my boss, My. and was taking all his goodies with him, which included RISING, which meant legal battles were immenent, which I ultimately knew would be the death of RISING, as Spielberg’s focus was going to be his feature films… Then I finally watched an episode in which Ryan, a hardened “Catholic”, rowed a boat out into the water with Eilfie, a Pagan, who began some whack ass ritual, in which she was calling on the arch angels. There’s not much difference between love and hate, as both are passionate responses, which is all I’ve ever strived for.not his internet based reality show on ghost hunting. Shortly after reading that announcement, I got a phone call from Ryan, in which I’ll never forget what he said to me. It’s changing a lot of things for those who give it a chance.” As a filmmaker, I’ve always felt the same way about my work. At that time, RISING unexpectedly took up the option on my contract, in which I was again being paid to sit still… I couldn’t do anything but collect checks and plot out a film that I couldn’t make.

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